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J.S. Bach
J.S. Bach: Matthäus-Passion, BWV 244: VI. Recitative: Da ging hin der Zwölfen einer
Samuel Ricke
0:38 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 11 12 3 2 88%
Bass 9 0 2 1 89%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 11 12 3 2 88%
Bass 9 0 2 1 89%
Continuo. Bass 9 0 2 1 89%
Evangelist. 11 0 2 3 89%
Violone. Bass 9 0 2 1 89%
Judas. Bass 8 0 1 2 33%
 
Bach JS Weihnachtsoratorium bwv248 17 Schaut hin! dort liegt im finstern Stall (choral)
Haricophile
0:32 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Clavecin Treble 11 4 1 4 100%
Bass 15 0 2 4 94%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Clavecin Treble 11 4 1 4 100%
Bass 15 0 2 4 94%
Alto Treble 10 0 1 3 100%
Bass Bass 11 0 2 4 100%
Soprano Treble 8 0 0 2 100%
Ténor Treble 11 0 1 3 100%
 
13. Allein Gott in der Höh' sei Ehr', BWV 104.6. Cantate 104. Du Hirte Israel, höre.
SDG
0:55 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 11 0 1 3 100%
Treble 11 0 1 3 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 11 0 1 3 100%
Treble 11 0 1 3 100%
Bass 16 0 2 4 100%
Bass 16 0 2 4 100%
Soprano/Alto Treble 11 0 1 3 100%
Tenor/Bass Bass 16 0 2 4 100%
Oboe Bass 8 0 1 4 85%
Contrabass Bass 10 0 1 2 50%
 
236. Lobt Gott, ihr Christen allzugleich (Nun danket All und bringet Ehr). BWV 195/6.
SDG
0:32 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 7 0 1 4 100%
Treble 7 0 1 4 100%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 7 0 1 4 100%
Treble 7 0 1 4 100%
Oboe Treble 10 0 2 5 45%
Treble 7 0 1 4 100%
Violin Treble 11 0 2 5 45%
Treble 7 0 1 4 100%
C
Trumpet		 Treble 12 0 1 4 95%
Soprano/Alto Treble 15 0 3 5 95%
Contrabass Bass 13 0 0 4 91%
Viola 13 0 3 4 91%
Violoncello Bass 13 0 0 4 91%
Tenor/Bass Bass 18 0 3 6 86%
Timpani Bass 2 0 0 4 82%
 
339. Was Gott thut, das ist wohlgethan. BWV 250.
SDG
0:50 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
extra
Soprano		 Treble 9 0 1 4 100%
extra
Tenor		 Treble 10 0 1 2 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
extra
Soprano		 Treble 9 0 1 4 100%
extra
Tenor		 Treble 10 0 1 2 100%
Soprano/Alto Treble 15 0 3 4 100%
Tenor/Bass Bass 17 0 2 4 100%
Horn
in
F		 Treble 10 0 1 4 97%
extra
Bass		 Bass 12 0 1 3 55%
Contrabass Bass 11 0 1 3 50%
extra
Alto		 Treble 11 0 2 3 50%
 
109. Gelobet seist du, Jesu Christ. BWV 91/6.
SDG
0:32 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 12 0 2 4 100%
Soprano/Alto Treble 13 0 2 3 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 12 0 2 4 100%
Soprano/Alto Treble 13 0 2 3 100%
Tenor Treble 10 0 2 3 100%
Tenor/Bass Bass 19 0 4 4 100%
Timpani Bass 2 0 0 4 91%
Contrabass Bass 12 0 3 4 50%
 
230. Lobe den Herren, den mächtigen König der Ehren. BWV 137/5, BWV 120a.
SDG
0:50 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 9 0 2 5 50%
Treble 8 0 0 7 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 9 0 2 5 50%
Treble 8 0 0 7 100%
C
Trumpet		 Treble 12 0 2 6 100%
Soprano Treble 8 0 0 7 100%
Soprano/Alto Treble 14 0 2 7 100%
Tenor/Bass Bass 16 0 1 5 100%
Viola 9 0 1 4 100%
Timpani Bass 2 0 0 6 89%
Contrabass Bass 12 0 0 5 51%
Violoncello Bass 12 0 0 5 51%